Built to adapt — designed to perform.
Drop a Removable Camera Insert into any Fjord pack for full protection. Lift it out and you've got a sports or travel backpack.
Fjord 36, 50-C, 60-C or 80.
Six sizes, XS to XXL, sized to your kit and lenses.
Straps, pouches, work base — your call.
100% ECONYL® regenerated nylon
Every Fjord camera backpack is made from regenerated nylon fibre by ECONYL®, an EU company sourcing nylon waste from across Europe — rescued fishing nets, industrial carpets and fabric waste, remade into technical-grade nylon under strict EU recycling regulations.
Made from regenerated nylon, rescued from our oceans and reborn from industrial waste.
Broken down and regenerated into virgin-quality nylon yarn.
Spun into technical ripstop nylon fabric for Fjord packs.
Infinitely recyclable — the cycle starts again.
The Grumbler Go Divider System
A DIY divider system that adapts to any camera bag — not just ours. Cut and place the foam dividers to fit exactly your kit.
Brand New
Compatible with all Gen 4 backpacks - a low-profile design with a more defined curved shape especially beneficial for female body types.
Global Journal
See what fellow NYA-EVO adventure photographers are up to
Trekking the Annapurna Circuit by Spencer Cox
Spencer Cox is the Editor in Chief of Photography Life. His work has been shown in the Smithsonian Museum of Natural History for the Nature’s Best Photography exhibition, and additional photographs of his were exhibited in galleries in London, Malta, Beijing, Siena, and other cities around the world.
Read more
Where the Trail Ends: 10 Questions with Aritz Gordo
Aritz Gordo has been shooting sport since 2000, when photography and his passion for the outdoors collided and never separated. He gravitates toward natural, active imagery and brings a personal approach to every project. His ambition is straightforward: master the craft and deliver good work, without exception. Welcome to 10 with Aritz Gordo.
Read more
An Evening with Javier Aznar & Yhabril
Some photographers work in studios. Others disappear into the wild for weeks at a time, returning with images that make you feel the cold, the altitude, and the silence. On March 12th, two of those photographers are coming to Bilbao to tell you what that life is actually like.
Read moreTrusted by the photographers and filmmakers who push it hardest.
When you spend as much time in the field as I do, whether that's photographing owls on the Yorkshire moors or working on safari in Africa, your camera bag becomes rather more than something to carry equipment in. It needs to work as hard as you do.
The NYA-EVO Fjord 80 swallows an extraordinary amount of equipment, including the rather substantial lenses I insist on dragging around, yet somehow manages to remain remarkably compact and comfortable.
What has impressed me equally is the team behind it. NYA-EVO listens to photographers who actually use their equipment in the field, and there's a genuine willingness to understand what we need and continually improve.
Good equipment should allow you to concentrate on making photographs, not managing the equipment itself. The Fjord 80 does precisely that."
Being on the road 6 months a year, my camera bag is an extension of myself. After trying more bags than I can count, the Fjord 60-C Econyl introduced me to Nya-Evo’s wonderful backpacks, and I loved working with it.
Always trying to save bulk and weight, when the Fjord 50-C Econyl came out I immediately went for it: the Fjord 50-C proved to be the most comfortable backpack to carry I ever used, bar none, no matter the weight I load it with.
I work with Large Format 4x5” film, which is notoriously hard to pack and transport in a backpack, but the Fjord 50-C has enough room for all my gear and more, and is pretty much indestructible. Whether you work with digital or film, and regardless of your format of choice, Nya-Evo backpacks are simply the best out there!
When I shoot in the mountains, I need to carry my camera equipment, but also the mountain safety gear, and to be able to access them easily. My bag has to be big enough while staying as light and comfortable as possible, so I can skin up and ski down with the athletes I'm filming.
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